“Clark sings with fantastical imagery that rekindles a sense of savior and style reminiscent of Balkan Beat Box jamming with Gillian Welch." Glide Magazine
"Drawing on classic country, blues, jazz, and cabaret, [Clark] proves as refreshing yet tricky to pin down as Nellie McKay.” Kurt B. Reighley
May, 2014 - "Our Mothers Day concert with Carrie Clark was the sweetest ever. How much do we love Carrie? This was the third time we’ve hosted her and we love her more than ever! The bond established between our audience of the mothers of mostly grown children an...
Member since: 2009-11-09 Home: Seattle, WA, US Frequently Tours: WA, OR, CA, ID, AZ, NM, Western Europe # of Members:
1 or 2 Sound Equipment:
Available if needed Main Instrument:
Vocals, vocals/keyboard/guitar Other Instruments: as duo:mandolin/accordian/bass Genre:
Americana, folk, rock, cabaret Style:
Varied americana cabaret sassafrass Content: Mainstream songs about people for people Rating: G - PG
Bio
"When she’s not warming your heart, Clark is serving up songs to relate to, like with her and the band’s latest album Split At The Seams, which came out earlier this year. Conceptually, the record is inspired by Clark becoming a mother and as a result her changing point of view on things. Both personal and relatable, the record deals with her musings on motherhood, the passing of loved ones, the never-ending fight against institutional misogyny, and the yearning for a sense of comfort and be...
Netherlands: Oct, 2024 (dates: 24, 28, 29, 30) - Touring with my bassist and accordion player we will be playing songs off of our last three albums and wanting to see as many castles as possible.
Belgium: Oct, 2024 (dates: 28, 29, 30) - Touring with my bassist and accordion player we will be playing songs off of our last three albums and wanting to see as many castles as possible.
Germany: Nov, 2024 (dates: 2, 3, 4, 5 & 6) - Touring with my bassist and accordion player we will be playing songs off of our last three albums and wanting to see as many castles as possible.